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Orpheus Institute Ohne Worte
vocality and instrumentality in 19th-century music
The musical thought and practice of canonical composers. What can music tell us-without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In Ohne Worte five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought...
Non-fictie
Engels | 230 pagina's (PDF, 10 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Charles Rosen The romantic generation
Engels | 723 pagina's | Harvard University Press, Cambridge, Mass | 1995
Gedrukt boek
Romanticism (1830-1890)
Engels | 935 pagina's | Oxford University Press, Oxford [etc.] | 1990
Gedrukt boek
Leon Plantinga Romantic music
a history of musical style in nineteenth-century Europe
Engels | 523 pagina's | Norton, New York [etc.] | 1984
Gedrukt boek
Arnold Whittall Romantic music
a concise history from Schubert to Sibelius
Engels | 192 pagina's | Thames and Hudson, London | 1987
Gedrukt boek
Associated Board of the Royal Schools of Music A performer's guide to the music of the Romantic period
Engels | 110 pagina's | Associated Board of the Royal Schools of Music, London | 2002
Gedrukt boek
Friedrich Blume Classic and Romantic music
a comprehensive survey
Engels | 213 pagina's | Faber and Faber, London | 1972
Gedrukt boek
John Michael Cooper | Randy Kinnett Historical dictionary of romantic music
Naslagwerk van de romantische muziek.
Non-fictie
Engels | 740 pagina's | The Scarecrow Press, Inc, Lanham | 2014
Gedrukt boek
Ohne Worte
vocality and instrumentality in 19th-century music
What can music tell us - without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In this book five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought and practice of canonical composers like Berlioz, Mendelssohn,...
Engels | 227 pagina's | Leuven University Press, Leuven | 2014
Gedrukt boek